History of Horror


We walk through the museum,

staring at the black and white photos,

reading the summaries underneath them.


The first apprehensions shock us

with sharp stabs of grief, 

the heavy curtain-fall of numb disbelief,  

buffeting ocean waves.


As we move on to the next display,

and then the next,

each succeeding percussion lessens, 

like thunder moving off in the distance.


Horror, it seems, turns rather easily

into history. And we say no! and

O my! and interesting.



At the end of the self-guided tour,

we are hungry, our feet a little sore.

Returning to our comfortable cars, 

we drive back into distracted lives,


satisfied that our short investment

in one sober stretch of yesterday

somehow justifies our turning away 

from it for the rest of the day


and the rest of our lives.



I am haunted by the myth of arrival



                                                                                                 Image by Frank Winkler from Pixabay. Creative Commons License.

I am haunted by the myth of arrival

in all my tiresome never arriving, 

to find this sunbreak an elixir 

that slips away before I can drink her to the dregs; 

or that sweet moment with you 

whisked briskly into the cold alley

of having just been, already longing for the next. 

How Good comes in lucious snatches, 

in rushes and batches like flocks of birds

whose instincts send them south for the winter,

crossing skies in pulsating patches.

And the wafting scent from the baker’s oven 

passing me by is not a tease, is itself the gift

among all the others, that uplifted trail

of stones breaking the surface of the creek

enough to make a way across for nimble feet.